![]() Increasing interest in the work of Levinas during the last two Studies has been a latecomer to the growing interest in ethics Overcome the ethical-political opposition however, his plays, Iĭifferent configuration of the political, one that is grounded In short, Pinter, I argue, does not offer Pinter, I argue, appears as a disruptive force, displacing the Of the unknowable and that which always already inhabits the In particular, I approach the conception of Question of alterity as that which structures the irreducible Texts that deal explicitly or suggestively with the political. I shall then seek to explore the nexus between In short,Įarlier tendency that takes Pinter as an Absurdist and the late Political output – most notably his drama – and contemporaryīuild on the recent few discussions of Pinter’s ethics byīeen a critical focus at every stage of Pinter’s work. This thesis offers a comprehensive critical examination of the ![]() This thesis is my own work and has not been submitted in Submitted for the award of a PhD in English Literature ![]() ![]() Ethics, Politics, and Alterity in Selected ![]()
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